<HTML><FONT FACE=arial,helvetica><BODY BGCOLOR="#ffffff"><FONT style="BACKGROUND-COLOR: #ffffff" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0">In a message dated 4/3/2003 7:21:46 AM Pacific Standard Time, vampeiyre@earthlink.net writes:<BR>
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<BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">>> Ah, neat. I'd imagine working with Air must have been at least interesting. <BR>
What other interesting bands/musicians have worked with Brian</BLOCKQUOTE>?</FONT><FONT COLOR="#000000" style="BACKGROUND-COLOR: #ffffff" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0"><BR>
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</FONT><FONT COLOR="#000000" style="BACKGROUND-COLOR: #ffffff" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0">Mostly that work was engineering the orchestral overdubs for the album, and some guest vocals. I love their intrumental music the most, they have a unique sense of melody and arrangement. Simple but powerful. Their new record goes back to their original styles - very synthesizerey, simpler pop structures. I like that.<BR>
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Maybe my best work would be with Moog Cookbook, we tried to have more synthesizer than any other album! I also love Eleni Mandell's records I helped with, but no synthesizer on that (there is, but she does not like synths!)</FONT><FONT COLOR="#000000" style="BACKGROUND-COLOR: #ffffff" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0"><BR>
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BrianK</FONT></HTML>