<HTML><FONT FACE=arial,helvetica><BODY BGCOLOR="#ffffff"><FONT style="BACKGROUND-COLOR: #ffffff" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0">>>Anyways, I look forward to hearing yours and anyone else's reactions</BLOCKQUOTE>.</FONT><FONT COLOR="#000000" style="BACKGROUND-COLOR: #ffffff" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0"><BR>
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</FONT><FONT COLOR="#000000" style="BACKGROUND-COLOR: #ffffff" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0"> I fear we are kinda off-topic, but this may be the only SERIOUS synth development since the A6, and a tonality that may stack well WITH an A6 in mixes/tracks. I have heard the Neuron for hours, even had a demo from Axel himself. It sounds cool, a very unique grainy tone. I am not sure what it does beside sweep weird formants around, in a sort of "trance filter" effect. A very unique and musical sound, but this is almost <I>all</I> I heard. <BR>
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No demonstrations of percussive keyboards, or thick basses, or sounds that didn't use this sweepy trick. I think it HAS a power that is untapped, a capability to be programmed by some genius out there who can figure it out. It does synthesis in a way we are not used to doing/hearing. Great! I would be <U>most</U> curious to hear a demo that does NOT use this formant-motion sound at all. Just beautiful (or wierd/bad/strange) textures and musical sounds. What I love MOST about the A6 is that it does an AMAZING range of sounds. You could have an all-percussion demo, or a vintage demo, a "freakout effects" demo, a sequence/arpeggio demo, or a fat bass demo. Waiting for this from Neuron!<BR>
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Brian Kehew<BR>
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